Sage Cruz Field Discusses His Interdisciplinary Practice

by Paul Weiner

Sage Cruz Field links various forms of visual representation through his diverse body of work. Paintings and prints depicting animals hang eclectically with photographs and forays into the colorful language of abstraction. Manipulated with everything from acrylic to oil and spray paint on substrates such as cardboard and mattresses, Cruz Field’s paintings simultaneously evince sensations tangential to street art, lyrical abstraction, and figuration. These expressive techniques inform Cruz Field’s use of animal and human forms to expose the iconography of the representational pictorial plane as an emotional and psychological space.

Cruz Field currently lives in Syracuse, NY, where he is seeking a BFA in painting at Syracuse University. His works will be exhibited in a solo exhibition open to the public at Spark Contemporary Art Space at 1005 E. Fayette Street, Syracuse, NY on April 18, 2015. Cruz Field’s artwork can also be found on his website and tumblr.

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Paul Weiner:
Tell us a little about your process and aesthetics. How do you usually start a painting?

Sage Cruz Field:
I deliberately start a painting either abstract or realistic. My realistic pieces tend to illustrate a moment in time. Oils are an amazing tool, but I love to exaggerate space or form with the puff of spray paint. I am always drawn to worn materials because they are an immediate representation of time. Lately, I have gone back to acrylics in order to create a pop art sense of space in pieces.

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Paul Weiner:
What artist or artists do you feel have had the greatest influence on your work?

Sage Cruz Field:
My father has been my biggest influence in art. Seeing him working as an artist, whether it be oils, drawing, or murals, shaped who I am today. I am surprised sometimes to see colors and shapes in my pieces that stem directly from him. Seeing an old sketchbook of his one day really made this click for me. I always have to give credit to the graffiti artists I grew up seeing in the streets. Their language has also had a major impact on me. Other professional artists tend to be an afterthought.

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Paul Weiner:
You work in both abstract and figurative painting as well as photography. Is there any difference in how you think about making work across these different mediums?

Sage Cruz Field:
As I said, my realistic work is usually quite calculated even though the narrative may be open-ended. My abstract pieces are a series of experiments that end with victory or defeat. Over the years, I have, of course, tried to evolve the process of my paintings in different ways. Photography has definitely been a catalyst in changing my approach in all mediums. The immediacy of a photograph is powerful and hard to get a grasp on. In my eyes, however, the brush and camera are very similar tools.


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Paul Weiner:
Many of your recent works use animals as the subject. How do you decide on these animals and how does their presence impact the painting?

Sage Cruz Field:
Over time, my use of the animals has changed. I began using them as vehicle to communicate emotions such as grief, joy, or rage. Since then, my connection to these animals has mostly come from personal encounters in which I had the ability to photograph them. Sometimes, I find myself following animals to photograph them or just see where they lead me.

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Paul Weiner:
You mentioned the connection between your work and graffiti artists you see on the street. Is the ideal setting for your work public like graffiti, in a more private space like a gallery, or somewhere else?

Sage Cruz Field:
Like the work of street and graffiti artists, I have strived to become versatile in different environments. Maybe this is why I am attracted to video, design, and photography. I never considered separating myself from a specific platform such as a gallery or the street. Instead, I have tried to understand the power of each and their relationship to the community. I have worked very hard to contribute my work to the surrounding community in various ways. A vast space like the internet is very saturated with artists, and your local neighborhood is always substantially less.

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Paul Weiner:
When did you first start painting and how has your work evolved in recent years?

Sage Cruz Field:
I began seriously painting in high school when I received a scholarship to take free classes at the Steve Carpenter Studio. Steve is an extremely accomplished painter and amazing teacher. I focused here on still life painting. I was also accepted into the New York State Summer School of the Arts while in high school. Here, I focused on figure drawing and installation art. Experience with printmaking has also affected how I approach some paintings. Music has integrated into my art and photography in many ways, mainly through press passes and photo clients. Overall, I have maintained a specific outlook on color and energy that I hope people can recognize.


Please view Sage Cruz Fields’s websitetumblr, and “like” Critique Collective on Facebook at http://www.facebook.com/critiquecollective.

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