Michael Becker’s Positive Outlook on Life Shines through Abstract Paintings

by Paul Weiner

Michael Becker is an emerging artist in Los Angeles who works with textured abstract paintings to reflect an optimistic view on life. Becker has previously worked in the energy efficiency industry, and his current work deals with environmental themes. He is also the publisher of 1421Art, an organization attempting to make a positive impact through art. More of Becker’s work will be on view during his upcoming group exhibition, ONE THIRD WHITE, which will be on display at Artspace Warehouse in Los Angeles from March 15th through April 25th.

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Paul Weiner:
Tell us a bit about where your art comes from.

Michael Becker:
My inspiration is derived from the balance of our natural environment, as well the impact of human intervention. I enjoy acrylic and the use of texture, as it helps me create what I see as a natural ebb and flow of geological as well as biological construction and destruction. I want to drive positive discussion across all topics of humanity’s concern, raise public accountability, and affect real change in real time.

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Paul Weiner:
How did your 1421Art project come about, and what are your goals with this organization?

Michael Becker:
1421Art was formed to service humanity through the arts. I believe in the power of personal positive choices and how these decisions have a rippling effect for the benefit of our species. As such, all of my content is aimed at driving global discussion in all arenas where human beings and our natural environment are of concern. Our ultimate goal is to establish and self fund the FWPM Global Arts and Eduction Foundation where we will provide grants to deserving individuals around the globe. Our focus is in identifying, preventing, and healing the challenges people face daily and providing them with the tools to keep their lives positive.

Paul Weiner:
How do you see your art as an agent for change?

Michael Becker:
I create art out of my need to live freely within my own skin. Within this magical place, I find a world that makes moral sense. Hopefully, my paintings give birth to discussion and reminder to daily actions that a positive choice is a good thing.

Paul Weiner:
When did you find your interest in creating art?

Michael Becker:
I’ve always taken to various creative outlets to express my emotions as well connection to nature’s balance. From an early age, I started to realize the joys of depth to be discovered within a still life. Especially so, within the background of paintings I found myself innately drawn. My interest was cemented upon learning with each new painting that I could naturally push myself further in technical development as well as keep true to the spontaneity I require when working.

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Paul Weiner:
How did the environment come about as an inspiration for your work?

Michael Becker:
From as early as I can remember, I have been an explorer of the outdoors. I have always found solace when absorbed by nature. It was only natural to utilize my canvas as an extension of nature’s gifts.

Paul Weiner:
Describe the process you use to find a subject and begin a painting.

Michael Becker:
My subject and resultant process are similarly one. Every painting is motivated by spontaneity of a moment captured in my memory. I then translate my recall of that picture through the use of non-traditional tools and textural painting techniques to recreate depth.

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Paul Weiner:
Do you experiment with any special materials, mediums, or techniques to develop textures?

Michael Becker:
I begin each painting with loose canvas and stretcher bars. Within the wrapping process, I become familiar with the weave of each piece of canvas. You could say an intimacy between artist, catalyst moment, and pending output begins at this moment. To create textures, I utilize bamboo sticks, various sizes of wood blocks, straight edges, my hands, thinning and thickening, and drying times throughout the depth creation process. Primarily, I stick with acrylic and occasionally will incorporate terra firma and lots of water. I also work over my canvas and often manipulate the surface when required for a desired effect.

Paul Weiner:
Who are your favorite artists, whether contemporary or historical?

Michael Becker:
Jackson Pollock and Gerhard Richter are two of my favorites.

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Paul Weiner: Tell us a little about your upcoming show.

Michael Becker:
Hosted by Artspace Warehouse in LA, the ONE THIRD WHITE exhibition is composed of primarily black and white artworks that explore the multifaceted dimensions found in each of us.


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